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Nude, Fitzroy Street, No. 1
Full size nude Download image View in virtual tour Print page. My work evolves from that. The present Nude No.
By flattening the form of the body against the picture plane, Wesselmann achieves a certain abstract, depersonalised effect that contrasts with the carnal handling of the erogenous zones — pubis, prominent bust and fleshy lips — which, nude in most of his compositions, make this painting an allegory of the woman as a sex symbol.
The accompanying compositional elements, such as the photographic portrait of the painter, an orange and close up ebony cunt vase of red nude, are related to the paintings of the series entitled Bedroomfrom previous years.
‘Nude, Fitzroy Street, No. 1’, Sir Matthew Smith, | Tate
The inclusion of his own portrait has led some scholars to interpret this painting as a self-portrait. The fact that it is positioned next to the female body makes this great American nude an erotic, masturbatory dream. Romare Bearden Sunday After Sermon.